Ethical Reporting of Protests: Verification, Context, Graphic Content and the Avoidance of Prejudice in Media Ethics

Ethical Reporting of Protests: Verification, Context, Graphic Content and the Avoidance of Prejudice in Media Ethics

A Comprehensive Legal Analysis

Author: Garvita Mishra | Law Vaani Editorial

Protests are not disruptions to public life in India. They are part of it. From farmers blocking highways to students marching against fee hikes, the right to assemble peaceably is protected under Article 19(1)(b) of the Constitution, and the coverage of that assembly falls squarely within the press freedom guaranteed under Article 19(1)(a). But the two rights collide the moment a protest turns chaotic. A camera pointed at a burning tyre, a reporter repeating an unverified death count, a channel that decides which side started the stone-pelting before anyone actually knows: these are the moments where journalism stops informing and starts shaping the very event it is meant to record.

Media ethics in the protest context breaks into four overlapping concerns: whether the facts reported are verified, whether the visuals and quotes are placed in their correct context, how graphic the depiction of violence is allowed to be, and whether the coverage prejudices either a fair trial or an entire community. Indian law does not codify these as a single subject. Instead, statutory provisions, self-regulatory codes, and case law each address different parts. This piece walks through all four and the framework that governs them.

  1. Verification: Getting It Right Before Getting It Out

The first casualty of any fast-moving protest story is accuracy. Casualty figures inflate within hours, an old video from an unrelated riot gets forwarded as “live” footage, and a rumour about who provoked whom hardens into fact by the second bulletin. The Press Council of India’s Norms of Journalistic Conduct address this directly. Clause 1 requires the press to “eschew publication of inaccurate, baseless, graceless, misleading, or distorted material,” and Clause 2 imposes a duty of pre-publication verification, particularly for investigative claims that are not backed by direct, first-hand checking[1]. Applied to protest coverage, this means a reporter cannot simply relay a police handout or an activist’s WhatsApp forward as confirmed fact. Both need independent corroboration before they go out.

Television has its own record on this point. The News Broadcasting and Digital Standards Authority has repeatedly found channels using visuals that were “totally out of context” and not even part of the incident being reported, holding this to be a violation of the accuracy principle under the Code of Ethics and Broadcasting Standards[2]. The lesson for protest reporting is specific: a visual has to be verified as being from the actual event, at the actual time, before it is aired. Do not source it from a stock library or an old clip because it matches the narrative.

  1. Context: A Fact Out of Place Is Not a Fact

Verification asks whether a claim is true. Context asks whether the truth is being presented in a way that reflects reality. A protest that has been simmering for months over a specific local grievance can look, in a thirty-second clip stripped of background, like an unprovoked communal flashpoint. A crowd of five hundred can be made to look like five thousand through camera angle alone. Context failures are rarely about lying; they are about omission, and omission is harder to catch and easier to defend.

The NBDSA’s 2025 order against Times Now Navbharat over its coverage of a mosque dispute in Shimla illustrates the problem[3]. The complaint was not about the reported content itself but about tickers and thumbnails that failed to reflect what was actually said in the broadcast. The authority held that tickers and thumbnails are not exempt from journalistic ethics and must “faithfully conform to the actual content of the report”. A headline can be technically accurate and still mislead by omission.

For protest reporting specifically, context requires at minimum three things: the history of the dispute that led to the protest, the scale and composition of the crowd as it actually was, and a clear timestamp separating archival visuals from live footage. Omitting any of these does not make a report false. It makes it misleading in the way that matters.

  1. Graphic Content: The Line Between Documentation and Spectacle

Protests that turn violent produce images that are, by definition, disturbing: lathi charges, tear gas, injuries, sometimes deaths. The public has a legitimate interest in seeing what actually happened rather than a sanitised summary. But there is a difference between documenting violence and dwelling on it.

The Press Council’s Norms address this obliquely. They direct that obscenity and vulgarity be eschewed and that violence not be glorified in reporting, which in practice has been read to mean editors should avoid repeated replay of graphic visuals, avoid close-up shots of bodies or serious injuries where the shot adds shock value and nothing else, and take particular care when children may be viewing the broadcast. Television carries an additional statutory layer: the Cable Television Networks (Regulation) Act, 1995, and the Programme Code framed under it restrict content that is likely to incite violence or offend good taste and decency. Broadcasters are expected to apply this standard to raw protest footage before it airs[4].

A separate and less discussed concern is the protesters themselves. Publishing identifiable, high-resolution footage of individual protesters—particularly minors or those from communities that could face reprisal for having been visibly present—converts a news report into a de facto identification exercise. No single provision mandates blurring of faces in protest coverage the way it does in reporting on sexual offence victims, but the underlying privacy principle is the same: exercising a constitutional right to assemble should not expose a person to consequences beyond the protest itself.

  1. Avoidance of Prejudice: Two Different Kinds of Harm

The word prejudice does two kinds of work in this context, and they need to be kept separate. One is prejudice to a fair trial: reporting that effectively convicts a person in the public eye before any court has. The other is prejudice against a community: reporting that assigns collective blame to a religion, caste, or region for the actions of some of its members.

On the first, the Supreme Court’s decision in Sahara India Real Estate Corp. Ltd. v. Securities and Exchange Board of India is the reference point, even though it arose from a securities dispute rather than a protest. The Constitution Bench declined to frame binding media guidelines but recognised a “doctrine of postponement”, under which a court can direct that publication of specific material be delayed for a limited period where it would prejudice a pending proceeding. This balances Article 19(1)(a) against the Article 21 right to a fair trial[5]. The judgment does not give journalists a free pass to label people involved in a protest as rioters, looters or anti-nationals before any charge is proved. Doing so risks both contempt of court under Sections 2 and 3 of the Contempt of Courts Act, 1971, where a matter is sub judice[6], and a plain violation of the Press Council’s norm against newspapers “eschewing suggestive guilt”.

On the second, the risk is criminal. Section 196 of the Bharatiya Nyaya Sanhita, 2023, which replaces Section 153A of the erstwhile Indian Penal Code, penalises promoting disharmony or enmity between religious, racial, linguistic, regional or caste groups through words, signs, visible representations, or electronic communication[7]. Coverage that frames a protest as a face-off between two communities, rather than between specific individuals or groups involved in a specific dispute, crosses this line even where every individual fact reported is technically accurate. The NBDSA has taken the same position under its own code, holding that generalising an incident by attributing it to an entire community violates the principles of impartiality and neutrality, even where discussion of the specific incident itself would have been legitimate journalism.

There is also an ordinary-citizen dimension to this that courts have begun to address. Most people caught in protest footage are private individuals who never sought public attention. The Supreme Court in R. Rajagopal v. State of Tamil Nadu recognised that the right to privacy under Article 21 extends to private individuals who have not voluntarily invited public scrutiny[8]. A person exercising the constitutional right to protest has not thereby waived that privacy. Building a prejudicial narrative around their presence in a crowd, without more, contradicts this principle.

  1. Who Actually Enforces Any of This

Enforcement is fragmented by medium. Print and news agencies fall under the Press Council of India, a statutory but largely advisory body whose sanctions are limited to censure and directions to publish corrections. Television news is governed by the NBDSA, a self-regulatory body constituted by the News Broadcasters and Digital Association, whose Code of Ethics and Broadcasting Standards carries more teeth in practice, including orders to edit or take down content[9]. Digital news publishers and platforms are additionally subject to the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, which set up a three-tier grievance redressal mechanism for online news content[10]. None of these bodies can put a journalist in jail. What they can do is order corrections, apologies, and takedowns, and their orders increasingly get cited the way case law does.

Conclusion

This framework does not ask the media to look away from a protest turning violent. It should not. What it asks for is a pause before publication long enough to check whether a claim is verified, whether a clip is in context, whether a graphic image is necessary rather than merely dramatic, and whether the language used convicts a person or a community before anyone else has had the chance to. That pause is not censorship. It is the difference between reporting an event and becoming part of it.


Frequently Asked Questions

  1. Is a journalist legally required to verify facts before reporting on a protest?

There is no single statute that criminalises unverified reporting as such. The Press Council of India’s Norms of Journalistic Conduct impose a professional duty of pre-publication verification on print and agency journalists registered with the Council. Publishing false or inflammatory claims can separately attract liability under Section 196 of the BNS, defamation law, or takedown action under the IT Rules, 2021, depending on the content and medium.

  1. Can a news channel be penalised for airing visuals that are not from the protest itself?

Yes. The NBDSA has issued multiple orders against channels for using visuals that do not match the incident being reported. Using archival or unrelated footage without clear disclosure is treated as a violation of the accuracy and impartiality principles in the Code of Ethics and Broadcasting Standards, regardless of whether the report’s text is accurate.

  1. What is the difference between editorial judgment and bias?

Editorial judgment is selecting which stories to run and how to frame them based on newsworthiness. Bias is framing a story in a way that deliberately distorts the facts to support a predetermined narrative. The NBDSA’s framework does not police judgment. It does police coverage that presents opinion as fact or generalises a specific incident to an entire community.

  1. Can visuals of protesters’ faces be blurred without their consent?

There is no blanket legal requirement to blur protesters’ faces. However, blurring is a practical recognition that participation in a protest should not automatically expose a person to identification or retaliation. The decision turns on whether the individual protester is central to the story or incidental. A protest organiser whose name and face are already public is different from a bystander who happened to be in the crowd.

  1. What happens if a channel ignores an NBDSA order?

The NBDSA’s powers do not include criminal penalties. But repeated violations of its orders can result in warning letters, suspension of the channel’s affiliation with the News Broadcasters and Digital Association, and public reports on non-compliance, which can affect advertising relationships and audience trust. The channel is also exposed to separate liability under defamation or other statutory provisions.


REFERENCES

[1]Press Council of India, Norms of Journalistic Conduct, Clauses 1 and 2.

[2]News Broadcasting and Digital Standards Authority, Code of Ethics and Broadcasting Standards.

[3]NBDSA order against Times Now Navbharat on mosque dispute coverage, Shimla, 2025.

[4]Cable Television Networks (Regulation) Act, 1995; Programme Code.

[5]Sahara India Real Estate Corp. Ltd. v. Securities and Exchange Board of India, Constitution Bench, Supreme Court of India (doctrine of postponement).

[6]Contempt of Courts Act, 1971, Sections 2 and 3 (sub judice contempt).

[7]Bharatiya Nyaya Sanhita, 2023, Section 196 (disharmony between groups).

[8]R. Rajagopal v. State of Tamil Nadu, Supreme Court of India (right to privacy of private individuals).

[9]News Broadcasting and Digital Standards Authority, Code of Ethics and Broadcasting Standards; News Broadcasters and Digital Association.

[10]Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021.

Garvita Mishra
Author: Garvita Mishra

BBA LLB Student